People who read this may know that I periodically post episode reviews and essays about the Disney animated series Gargoyles on my other blog, Monsters of New York. Recently, though, I wrote an essay not for my blog, but for the fine feminist critique site Bitch Flicks. Like the title of this post says, it’s about how the show’s attempts to be tell a story about oppression are undermined by the creators’ privilege, and it goes something like this:
…Gargoyles is also a fantastic showcase of what can happen when creators possessing privilege write stories about the oppressed without their input. Weisman and his staff had good intentions, and yet that didn’t stop them from writing “Heritage,” a perennial contender for the award of Most Racist Story That Tried Not to Be Racist (Television). In the episode, Elisa essentially tells the chief of a failing First Nation village, whom she’s only just met, that he’s performing his identity wrong, and is proven correct by the narrative. While that episode is an outlier, it is not alone — despite the show’s attempts to be about oppression and about being the Other, it falls down in multiple and consistent ways featuring more than one episode where the message they wish to send is not the message they are actually sending.
Yay me! Once you’re done, the sit also has many other fine posts by awesome writers about various films and TV shows for you to read, so please give those a look. Thank you!
While the parallels between Nikita and Person of Interest are not as easy to identify as those between Nikita and Alias, they are in some ways arguably more substantive. Produced roughly during the same period, the two series’ takes on the espionage genre not only feature similar tones and (to a degree) aesthetics, but also similar themes and concerns. Their core foci may be different—Person of Interest is chiefly about how technology changes the world, both by making possible and normalizing the surveillance state and by altering the definition of living thing, while Nikita is about abuse and dehumanization, and the possibility of reclaiming that humanity—but both also deal with themes like identity, redemption, corruption, rebirth, and rebirth—more than enough, in other words, to make comparing and contrasting the series both interesting and rewarding—hence what I hope will become a series. This is Division of Interest, and we begin with the two couples (hush!) with whom it all begins.
(Series spoilers for both Person of Interest and Nikita below.)
(Content Notes: Suicide, suicidal ideation)