noviembre 11, 2016 at 12:25 am (Commentary, Current Events, Faerie, Ian Writes, Politics, Race, Racism)

So, the elections happened. The results were terrible, to the point where I’m actually currently somewhat grateful for the degree of separation that currently exists between Puerto Rico and the states.  I’m still processing, and in moments when I can process about the comparatively  trivial, I think, well, this is going to affect the shit out of my novel.

Context: Over the past month or so, I’ve actually gone back to working on Faerie, which over the years had become something I only occasionally talked about but never get any closer to completing, but has now become  some 30,000+ words long, i.e., about as long as an Animorphs book. And then Trump happened, which is making me reconsider the whole thing, again. Now, on top of not being sure if the story about two teenage Muslimahs dealing with their evolving feelings about their religion in a newly Islamophobic environment is a story I should be telling or can do justice to, I’m sort of kinda feeling like Trump and what he’s done need to be part of the  story. While this works, to a degree–it fits right in with the themes and plot–it also means rethinking large swaths of what I’ve already done, including the book’s overall tone, as well as several key characters and scenes. So I have questions, and no answers yet.

In any case, until those answers come, I decided to write for today’s 1,500 words a scene where my characters actually deal with the election. Right now it exists more or less as a way to process my own thoughts and put them on paper, and to try to get something positive out of the whole thing: I’m not sure if it will actually make it into the final work, although some version probably will, if the story is still set in 2016 by the time the second  draft begins.

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A Visual History of April O’Neil, Part 3: 1992 – 1996

abril 22, 2014 at 11:06 pm (Animation, Comic Books, Film, Hollywood's Privilege-driven -isms, Race, TMNT) (, , , , , , , , , , , , , , , , , , , )

April O'Neil #1 Cover (Jan. 1993)

The year 1992 marked the end of the Mirage TMNT‘s guest creator era: after three years of mostly non-canonical stories by a bevy of creators, Mirage staffers once again took reins of the book, with a new focus on featuring a more stable tone and in moving their characters forward.  This latest phase in the book culminated with “City at War”, a thirteen-part mega arc which featured the return of Kevin Eastman and Peter Laird to active creative duties and ended on the book’s last issue.  It also gave April some much-needed focus, as the writers had her decide to move to California in order to recenter herself.

Perhaps not coincidentally, this era of greater focus on April also saw the beginning of the end of depictions of her based on her issue #4 redesign, as the physical features she had sported since then–by no means limited to skin color–began disappearing.  What one may draw from this is unclear, and the fact that there’s only one artist drawing the character for the duration of the era doesn’t help.

The years from 1993 to 1996 saw waning interest in the Ninja Turtles. The third film received a tepid reception.  Mirage’s second volume of TMNT, which debuted shortly after the end of the first one,would prove short-lived,  its final issue hitting stores on October 1995. The Archie series, TMNT Adventures, ended that same year. After seven seasons of sausage-making, Fred Wolf retooled the original cartoon for its eighth season in order to deal with a shifting children’s television landscape; old characters were written out, new characters were written in, and the series’ aesthetic got a face lift, but none of these changes were enough to stop the series from ending, after ten seasons and 193 episodes, in 1996.  By January 1997, the flow new material featuring the TMNT had slowed down to a trickle, and existed mostly in the form of a comic series published by Image, continuing the adventures of the Mirage versions of the characters…but that’s something for another entry.

Part 1.

Part 2.

Note the first: While I’ve tried to be comprehensive as possible here, any help obtaining any relevant images I might have missed is much appreciated.

Note the second: Despite not having much in the way of comments, I still plan on moderating any discussion with a heavy hand, should it become necessary.

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A Visual History of April O’Neil, Part 2: 1988 – 1991

abril 15, 2014 at 2:07 am (Animation, Comic Books, Film, Hollywood's Privilege-driven -isms, Race, Racism, TMNT) (, , , , , , , , , , , , , , , , , , )

The year 1987 brought us our second ever incarnation of April, one that, while visually faithful to the character as originally depicted, was at odds with what had become the norm.  As the new franchise’s popularity continued to expand, two more new incarnations were introduced: April as seen in the films, who like most things in the movie was conceived as an amalgam of her comic book and cartoon incarnations; and April as seen in the Archie comic books, who was ostensibly the cartoon version, but like most things in the book quickly became her own distinct character.  While the people over at Mirage were still depicting their version of the character as a Woman of Color, by 1990, it was White April who had become the norm.

Part 1.

Note the first: While I’ve tried to be comprehensive as possible here, I have not been able to obtain several relevant images, most notably, images of film adaptations after the first one, and of the colored reprints of the Mirage books released during this time period.  Any assistance in obtaining them is appreciated.

Note the second: Unlike the first time around, I will be allowing comments here.  That said, as always, please keep common courtesy in mind, and note that I will moderate with a heavy hand, should it become necessary.

ETA: I*just* realized that I hadn’t actually enabled comments.  Fixed.

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